b. New York, USA, lives and works in London, UK, & New York, USA


32b Santos Rd, London, UK

  • 2022 'Waterborne', Curated by Mathilda Oosthuizen, Bloqs, London, UK (performance with Anita Marante)
  • 2022 'META ALARM, MEAT ALARM', Curated by Laura Moreton-Griffiths and Iona Mitchell, Bermondsey Project Space, London, UK (performance with Anita Marante)
  • 2022 'End Times', Curated by Mary Pedicini, Take Courage, London, UK (performance with Anita Marante)
  • 2022 'Magnificences II', performance with Anita Marante, Organized by Chloe Langlois and hosted by Louise Ørsted Jensen, Take Courage, London, UK
  • 2021 'Waiting Room', curated by Luis Munoz, TactileBosch, Cardiff, Wales, UK
  • 2021 Not a Sphere but an irregular shape approximating a biaxial ellipsoid, curated by Louise Ørsted Jensen, Melle Nieling, and Amelie McKee, DOOR, Zaandam, NL
  • 2021 Everything Forever, London, UK (online exhibition)
  • 2021 SW11NDOWS, curated by Anita Agarwal, Louise Ørsted Jensen, and Katrine Skovsgaard, London, UK
  • 2020 Imminent Vibrational Logic, South Kiosk Gallery, London, UK, online exhibition
  • 2020 302_Redirect.net, Montez Press Radio, (online exhibition)
  • 2020 Sound & Vision Festival, Royal Academy of Music and Royal College of Art, London, UK
  • 2017 Basix, 9To5.tv gallery, Atlanta, USA (Solo exhibition)
  • 2016 Offprint, London. Internet Yama-Ichi (Internet Black Market) Tate Modern, London, UK
  • 2015 Printed Matter NY Art Book Fair, MoMa PS1, New York, US
  • 2015 New Inc Showcase, Red Bull Studios, New York, US
  • 2015 New Museum IDEAS CITY Festival, New York, US
  • 2014 OfficeUS, U.S. Pavilion, Architecture Exhibition, La Biennale di Venezia, IT
  • 2014 Palaces for the People, Museum of the City of New York, New York, US
  • 2013 New Museum IDEAS CITY Festival, Garris & Hahn Gallery, New York, US



  • 2020 Museum Without a Public, with Waste Authority Collective, RCA, London, UK
  • 2018 The Basix Operating Manual Book Release, Printed Matter, New York, US
  • 2015 Leaders in Software and Art (LISA) Salon, New York, US


  • 2023 Summer residency, School of Visual Arts, New York, US
  • 2019 Visiting Scholar, Vittore Branca Center for the Study of Italian Culture, Cini Foundation, Venice, Italy
  • 2019 Visiting Artist (VAVS), American Academy in Rome, Italy
  • 2016 ITP/Processing Foundation mentor, New York, US
  • 2014-2015 New Inc., New Museum, New York, US


  • 2021 Kevin Bellò: Tongue of blade ‡ Ears of mud, un’audiocassetta incastrata nell’oscurità, Forme Uniche, October 2021
  • 2021 Josh Mcloughlin: [Review] Tongue of blade ‡ Ears of mud (Cap Records), New Critique, September 2021
  • 2021 Golan Levin and Tega Brain: "Code as Creative Medium", MIT Press, 288pp.
  • 2015 Lisa Phillips: “Expanded Museum”, New Museum Paper, Vol. 19 Fall/Winter 2016
  • 2015 Kate Messinger: “The New Museum’s New Inc Makes Art and Technology Actually Fun”, Paper Magazine, July 2015
  • 2015 Lauren Palmer: “Art and Technology Collide at New Museum’s NEW INC Showcase.”, Artnet, July 2015
  • 2014 Sehba Mohammad: “7 Not To Miss Experiences at the Dumbo Arts Fest”, Flavorpill, September 2014
  • 2013 Michelle Lhooq: “What Does New York City Sound Like?”, The Creators Project, April 2013


  • 2021 Tongue of blade ‡ Ears of mud, CAP Records, cassette release
  • 2021 Kevin Siwoff: "A man in his stereotype a person unable to cope with his own femininity (suite)", Mercurial Mist, edited by Anita Marante, Effy Harle & Georgina Watson
  • 2020 Kevin Siwoff: "Kitty Litter homeopathic remedy", Papaya, edited by Anita Marante & Elena Lo Presti, London
  • 2020 Kevin Siwoff: "The Same Room", Fake / Real, ThePluralist, RCA: London
  • 2018 Kevin Siwoff: The Basix Operating Manual, Drip Pitcher Press, 67pp.


  • MA Contemporary Art Practice, Royal College of Art, London, UK
  • Bachelor of Music, New York University, New York, USA